the empty pageThursday, June 1. 2006dragged all the bags down to corinne's waiting car. fit - barely. and she wisks us to the TGV terminal for the first leg of our journey back. which is: train to aix en provence, shuttle to the marseille airport, shuttle to our airport hotel to spend a quick night since our flight is at 6am the next day. sleep. shuttle back to the airport. argue about baggage weight restrictions. hassle. pay extra. to frankfurt. to pdx. to vivaron's. begin painful and disorienting reintegration process. at the hotel, miss was having a little bit of anxiety about the coming changes. i made us both calmer with the idea that we were in the space between chapters. the blank page that's left to let the mind pause before digging in again in a new direction. we can sort the future out later. presqueMonday, May 29. 2006tons of recycling. piles of paper and boxes and where did it all come from? in only 8 months? well, it's a lot better than when we moved out of the oak st! trying to be merciless in what we save and what we chuck. terminate with extreme prejudice. we have about $40 in spices that are half-used. half boxes of pasta. anyone want cans of chick peas and a sack of quinoa? how do you get rid of this stuff? in france people don't move very often. way different than me, moving every couple years. there's not a lot of infrastructure for handling it that i can see. maybe the goodwills are just hidden somewhere in the suburbs. ok, we lucked out and the girl and father who are buying the tv and little table will take our heavy set of plates and dishes and the half-foods and little leftover liquors and thank god the bar which we can't get rid of ourselves. for free they get it all. it makes them happy and us too. they were our only hope. they're hauling it all in a thefted shopping cart. they have no car. three (four?) trips to somewhere that's a half hour shopping cart round trip away. we get the impression the dad just split with his wife and has got a new place for himself. daughter helping him move. he's kind of sad and the idea heartbreaks me and i try to cheer him up by joking as best i can. at least he can have spaghetti bolognaise for free tonight. also through the grace of god sold the bed to our french teacher. took her three trips with friend's borrowed car to get it all transported. could only get the friend with the big car the day before, so we had to sleep on our little mattress cushion on the floor the last night, in a dusty echoey apt. her and different friend with small car pick up the cushion and sheets today. then clean clean and get ready to hand over the keys. everyone in the last days has been so incredibly helpful and friendly (courteous, kind...) i really can't believe anyone thinks the french are snobby or stuck up. well, i can believe it if they're approached by someone with an air of entitlement. there's a little mean streak, but only for those who deserve it. for us, everyone has gone out of their way to help us out and wish us well. one of the most touching sentiments (if i understood her right) came from our same-floor neighbor. i was telling her i'll miss france and avignon and i hope to return and she said "well, it's your pays now." pays is an important concept, as i understand it, representing the geographical and cultural region a french person associates himself with. it's where he comes from, and he feels ties to the land and the people there. even if one ends up living in a different region, he still consideres himself to be from his home pays. i don't mean to sound corny. i promise no more cultural overextrapolations. i guess i overexplain it because it's pretty foreign to me, who has few ties to any place. and it's easy that maybe i misunderstood her. but i prefer to imagine she meant it as just that, that we had been established here, adopted into it. i'm tired and susceptible to sentiment now, but it was a very sweet thing to say, and i feel quite touched. she got our last giveaway item, the basil plants missy's been growing. one of the main herbs of provence, it was thriving from the windowbox sunlight when we handed it over. too much cultureSunday, May 28. 2006i was raised in the public school music program, so i had a little history to go on. mostly it counted for getting my ears prepped to receive the music some time in the future. i'm actually paying attention to it now, and learning what i like and hate. interesting to see what's changed over time. it's nice to focus on the traditional aspects of composition and performance for a change. stuff my ears haven't been excercised in in a long time. you have to listen for different things and you can hold everyone to much higher standards in a lot of areas (and relax them in some others). i'm really jazzed on art that can't be done properly unless you've been at it for thirty years. material that you need to have spent lots of time with to get inside, performed by people who have decades of emotional maturity and philosophical development behind them. i guess part of it reflects an ongoing crisis with programming, a general annoyance with the cult of the New Idea, and the desire for good workmanship (which usually falls by the wayside when New Ideas take precedence). so anyways, brahms' "a german requiem" with two pianists and a choir was saturday night. sunday day was a last run through the calvet museum, which is painting and some sculpture from the 15th to 19th centuries (including the best joke romantic painting i've ever seen*). sunday evening was a string trio alternating with pipe organ doing a mix of bach and mozart in avignon's snazziest church. boy, that's enough for me for a while. i had to come home and play some 30 second long punk songs to clear my mind. *long setup: joseph vernet was a famous local painter known for his romantic period canvases of epic scenes of nature destroying man. our street, the same one the calvet museum is on, is named after him. his son took up his father's style and has a large scene of a small sailboat getting tossed around in a pounding sea, about to founder on the rocks. very menacing. there's a couple people on board: one guy at the tiller losing his hat in the gale, a bare-bosomed woman just looking wretched, and a dude with a small notepad and brush tied to the mast. the title reads "joseph vernet studying firsthand the effects of nature." hah! buffet portes coulissant en verre aka le bar - 10€ seulement!*Saturday, May 27. 2006it's a two part system. one half features a modernist floral pattern etched on a sliding glass door that stores all your favorite beverages. a mirrored bottom and gold toned faux-quilted background up the value times ten of that cheap vodka of yours. on the other side, a lacquered door with a complementing gold handle hides your plastic tumblers and twisty straws. how can you refuse the cachet of this modernist/50's revival gem? that is, if you live in portland or san francisco or any other u.s. city that's got it going on. if you live in france it's ugly as all get out and you want nothing to with it. i made flyers a few days ago and put them up on grocery store message boards and at the university in an attempt to sell our furniture and recoup some of our initial expenses. and i'm pleased (and quite surprised) that we have actually sold nearly everything by now. as of yet unclaimed is an beautiful art deco style end table that i snagged for 2 euro. portland market value = $40 at least. anyone have a college apartment to furnish? we also still have lamp made out of a tall vintage chianti bottle. it's a new yet old, chic yet shabby spin on your beer bottle light. and then the bar. your friends admiration of your refined yet tounge-in-cheek taste = well worth 10 euro plus shipping. dégusting!Friday, May 26. 2006this evening avignon celebrated "the summer of vines and wine" in the main square. two euros gets you a little tasting glass and you can have at the 20 or 30 (lost count!) local winemaker's stands. an additional euro and you get a little wine-glass-holding contraption that strings around your neck like elderly/diner waitress eyeglass thing. missy opted for it, of course. they had a guy making wine barrels, sample vines of different varieties on display, and some stands of other local procuce like olive oil that were widely ignored. we got to sample tons of different producers. all from around here, so to my novice palette a lot of it tasted very similar. it got fun to chat them up and ask about the different things they had and how they compared. it seemed like most of the people attending had american accents, so i think they were happy to have someone speak french to them. we bought a couple bottles of good stuff to enjoy before we head home. we ordered a little food item to share from one of the vendors. we thought was going to be quail, but it turned out to be a spinach and paté loaf of some kind (in the shape of a quail?). that was doubly ok, because it was delicious and with the intense winds it ended up flying after all, into some american lady's lap. har har. we apologized in french. astute readers will remember that one of the first things we attended here was a wine celebration in the main square for the new wine. so it was nice to wrap things up that way too. normal readers will recoil at how pretentious the whole thing sounds. yeah, we do too. one of the neat things about travelling is that you get carte blanche to ignore your own stupid prejudices and enjoy what you want without noticing as much what it looks like. then i cooked boeuf bourguignon and at midnight it was ready and tasted not so bad. seth's easy french omni-recipe: brown/sautée any kind of meat and veggies in bacon fat (with the bacon). add a whole bottle of red wine. simmer for four hours. that's the 80% solution, and it's just fine to get you started. i'd be tempted to say there's nothing to this cooking thing, but the choco chip cookies i made the night before are terrible. actually, that's exactly what i said as i was making them. sigh. pho tosMonday, May 22. 2006back off the saddle againSunday, May 14. 2006for me, it was also a ten day internet fast (mostly out of lack of means, motivation, and opportunity). although i once used missy-surrogate to mapquest a location. i think that's ok. who knew one could survive without 50 RSS feeds, daily web comics, slashdot, digg, and reddit (ok, the last one hurt a little bit). good for perspective. i'll be culling some of these time-wasters from the daily routine. there's a lot of stuff that's just not that important compared to what i want to do. interestingly, towards the end, i got really itchy for my tools. maybe i just wanted to get back to monastic life. but having taken in so much, with projects having been abruptly put on hold, i was anxious to get back to making stuff. as perverse as it sounds, it felt good to have emacs under my fingers again. so anyway, this is a little placeholder post until such time as i can get the photos online and miss can write up the notes she's taken. looking back at it, i'm pretty impressed with the density of culture and information per hour we were able to soak up. more on the details soon... the folksTuesday, May 2. 2006with the overpowering effectiveness ratio of photos to words, i give you pix from our sidetrip to Nice and Monaco and for the rest of their stay. we did lots of driving and saw a huge amount of provence that we would have been unable to do otherwise. good sights, good food, good company. provence with the folksSaturday, April 29. 2006
lets play catch up. this was originally going to be a series - I, II, III - because our travels with seth's parents encompassed three distinct voyages, but then there were the times that we weren't taking two day vacations, when they were here in avignon, and those parts bear mentioning as well. so we'll divide it differently, and somewhat arbitrarily, like those memories are now --
I. nice & monaco - seth's folks had just arrived in marseille from the states, and first thing booked it for the sunshine. we can't blame them, so we decided to meet them on the côte d'azure for two days. nice was a big french city, but with palm trees and stone, richesse and beach. the best part of this trip was the drive from nice to monaco. there are three possible drives - the low, medium, and high roads, each with their own spectacular views, each with their own odd histories. we took the low one to monaco and the the medium back. beautiful both. the sea is green-blue, the rocky cliffs gray and tiled roofs clay-red coloring the scene pure mediterranian. II. rick steves - one of the handful of guides that seth's folks brought with. when i was in sixth grade i had a social studies teacher, mr beam, who one day taught us about communism. "if you live in russia, you can't decide what you want to be when you grow up. they give you a test and the results determine your job," he said bitterly. it sounded like a great idea to me. maybe we're getting older, but sometimes we're tired from traveling and thumbing through the lonely planet, tired from making choices every few minutes about this museum over that restaurant and that historical landmark, and we want someone to make up their mind for us. that's where rick steves comes in. compact, concise, easy to read. tell us, rick, tell us what to do next. III. the côtes du rhône and luberon - malaucène: we stopped for the wednesday market. i bought olives with herbes de provence. i love those things. and i bought goat cheese made that very morning. crestet: population 37, but since it was early in the season the town was practically deserted but for one, an old woman walking up the hill when we arrived, still walking up when we left. a quintessential provencal town nested in a mountain. so many of these towns up high, carved into rocks, overlooking gorgeous valleys below. vaison la romaine: not much of interest in the lower, more modern town but a good lunch, and we didn't make it up to the top. oddly, i did run into a fellow assistant walking down the street. much to his chagrin he was stationed there. didn't seem so bad to me. fontaine de vaucluse: this is where we spent the night. it's a beautiful town under a high rocky cliff with a clear blue-green river running through it, the sorgue, the start of which magically bursts forth from some rocks. we could spend days here. also the home of the surprisingly delightful santon museum. santons are basically dolls that originated as nativity figurines. a regional specialty, they feature provencal archetypes - the painter, the old woman carrying lavender, the shepard. isle sur la sorgue: called the venice of france (many bridges, a river), it's pretty charming. famous for its 200 antiques dealers, but they only open thursdays and sundays. rouillson: called the colorado of france (golden mountainous terrain), everything is a ruddy brown color on account of famous clay earth everywhere. they sell pigment to tourists by the scoop. gordes: a mideval castle town, again carved high into a rock. on the drive there, when the town comes into view from across the valley you gasp ooh and ahh, (or at least i do), it's so stunning. IV. coq a vin - we wanted to cook a nice meal for them, something quintessentially french, so we gave this dish a whirl. first we had to buy the coq, but unfortunately the baker didn't carry coqs, so we had to settle for a poulet, head and feet still attached, bien sur. i giggled and elbowed seth - you'll have to cut off it's head. but the butcher heard this, and offered to prepare it for us. with a butcher knife he whacked the head and feet clean off, took out the insides from the cavity and put the good ones back in, trained a blow torch on the skin to burn off the remaining feather parts, and finally tied it all up in twine. this took him about two minutes. but we had to finish it up at home, cut up the bird to fit in the casserole, and we have never done this before. thank you internet for helping us through. (when you think about it, it's amazing that this was the first time cutting up a chicken, so far from our food that we are.) after that it was seth that took the cooking reigns, melting the butter, frying the bacon, frying the veggies, frying the chicken, all in the same dish so that you build up a nice multi-layered fond, then adding a whole bottle of wine and boiling some off. it was a lengthy preparation, but the result was delicious. V. arles - arles is a like avignon, but bigger and grittier. instead of the palais des papes there's an old roman arena. arles is the one time home of van gogh and a bunch of impressionists, but not much remains of that but sunflowers canvas totes. we stayed in a nice family run hotel with sunny rooms and a good breakfast. the hotel had a gallery, and this month was host to a photographer whose specialty was photographs of barbie doll women with arched backs being sprayed with water. we put a down payment on one right away. On the more tasteful side of culture, we throughly enjoyed the arlaten museum which is devoted to all things past and provençal. it was created in 1896 by frédéric mistral, a provençal regionalist writer and educational advocate (i teach at a school that bears his name), and contains costumes, furniture, tools, objects relating to religious and superstitious traditions, that illustrate life in provence during the 19th century. would've sounded dry to me a year ago, but living here made it fascinating. i want to dress up provencal and be a sheep herder and cheesemaker. VI. camargue - i was looking forward to seeing this area, one of the few nature preserves in france. it's a swath of marshy land where the rhone meets the mediterranian, and it's famous for it's wild horses, flamingos, and mosquitos. Oh, and did I mention the salt? There is a famous salt distilled here that retails for up to 6 euros a container. And there's a salt museum, that (un)fortunately was closed when we stopped by. When we visited there was very strong mistral (not related to the writer, by the way) a blowing, and we could barely get to the salt hills from the car. but the photos attest to us setting foot on this martian landscape for all those unbelievers. behold. furry saladFriday, April 28. 2006yum the "cute" thing points to having established a bond with the dish. "i can't eat it, i just pet it." somehow there's a difference in utility. but i want a relationship with my food too. what's more intimate than eating something? and mammals are easier to relate to than e.g. fish. "thanks. i appreciate you." chomp chomp. i don't like abstracting food away from the source. aside from losing some pleasure in understanding and appreciating what you're eating, it opens up lots of opportunity for food abuse. if you won't look under the covers, people will take advantage of that and put any number of horrible things in. transparency is good for food and government and just about everything else. related: i had a sausage last week that had big bits of tripe and other things in it. weird enough to make me look up what was really in it. can't say it didn't make me a little nauseous afterwards, but it's my responsibility when eating to know what i'm eating. but this is a good counterexample: all the bits and pieces of the animal are just fine with me. use the whole critter. waste is a sin. better you and me eating it than it gets ground up and fed to chickens, who get ground up and fed back to pigs, which is how farmers get around the restriction that you can't feed ground up animals to themselves or they get BSE. (anything can get solved with one more level of indirection, after all.) of course it's hypocritical of me. i'm not a big enough person to work for a year in a slaughterhouse. living in a rural virginia turkey town turned me off of chicken for a long time. the death wasn't the problem for me (carrots scream when you pull them out of the ground, you know), just the horrible conditions. so like anything there's no solid ethical high rock to stand on, but shades of your legs being wet. life creates destruction as a byproduct. that is an inescapable consequence of the second law of thermodynamics. to be alive is to kill something else. so for me it's about being as aware as i can be of what i'm doing. why not be vegetarian? related discussion topic: the difference between kiling me and a killing a carrot. contexts include: self, family, friends, community, humanity, earth, universe.
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welcomeshort accounts by missy and seth, at least tangentially relating to life in avignon, france.
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